ORA (Orée) — rim, border, coast, bank, shore, passage, threshold, limit.
ORA (Orée) it is the threshold between different times and spaces. The performance is a research on the « space between »: between active and passive, human and non-human, natural and artificial, the dream and the machine, shadow and light. It is built as a crossing from black to the colour, playing with the superposition and the simultaneity of a palette of images and various states that coexist, such as in a dream.
The trio – Daphne Koutsafti, Marcos Simoes and Vania Vaneau herself – is completed by a multiplicity of figures, shadows and reflections, that build up landscapes and imaginations continually transforming.
With ORA (Orée), Vania Vaneau creates a continuity between psychological, organic and material, by making ephemeral fictions. She continues thus her choreographic exploration, made of a sensory and full of imagery plasticity. The bodies are related to the matter that acts then as filter, echo or pass-through, becoming as active as the performers.
Choregraphy Vania Vaneau
Performers Daphné Koutsafti, Marcos Simoes, Vania Vaneau
Set design Mélina Faka and Vania Vaneau
Music Renaud Golo
Lights Abigaïl Fowler
Assistant Jordi Galí
Collaboration to the music Denis Mariotte
Thanks Anna Massoni
Pictures Pascale Cholette
Video Guillaume Robert
Production Arrangement Provisoire
Co-productions Le Pacifique – CDCN de Grenoble, TJP-Centre Dramatique National Strasbourg – Grand est, Musée de la Danse, CCN de Rennes et de Bretagne, ICI CCN de Montpellier PAR/ICI, Pole Sud – CDCN Strasbourg, Avec le soutien du Ballet de l’Opéra national du Rhin – Centre Chorégraphique National / Mulhouse, dans le cadre du dispositif Accueil Studio 2018, La Place de la Danse CDCN, Toulouse/ Occitanie.
Avec la participation du Fonds Transfabrik – Fonds franco-allemand pour le spectacle vivant
Support : la Région Auvergne-Rhône-Alpes (aide au projet)
Thanks CND à Lyon